I spent a lot of my childhood watching musicals. Yes, musicals, where the characters are walking along, and suddenly an orchestra swells and backup dancers appear, only to conveniently melt into the shadows when the number is over.
In high school, I would sit on the bus with my walkman and the Les Miserables soundtrack I pinched from my sister, playing it over and over and over. I've since purchased it in CD form, and my fascination has not waned.
Not all musicals are equal, however. The catchiness of the tunes depends on the composer, and while some movies or Broadway shows are pleasant to watch one rarely walks along singing the tunes to themselves. Try humming "Trouble" from Music Man. Robert Preston, poor dear, couldn't really sing, like Rex Harrison, so the two perfected "talk-sing." Sometimes all the songs can sound the same in one musical.
For those at all interested in that lovely time (the 50's, mostly) where magnificent musicals took place (Sound of Music doesn't make the cut because of its overexposure), I'm starting a new segment: Knowing Your Musicals.
Gigi (1958), which tops my list. If I'm channel surfing and this is on TCM, I stop. The topic matter (a family of courtesans) went completely over my head as a kid thanks to the discretion of the time, but it is superbly done, not over-acted, which has a tendency to occur in early films (hats off to Vincente Minnelli, the director).
Below is It's a Bore, sung by Maurice Chevalier and Louis Jourdan. I searched for I'm Glad I'm Not Young Anymore, which contains many gut varts, but that is apparently zealously protected by copyright.
But below are the lyrics:
I'M GLAD I'M NOT YOUNG ANYMORE
(Lyrics : Alan Jay Lerner / Music : Frederick Loewe)